I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.

No one is black and white or good or bad or happy or sad or what have you. [All have] particular idiosyncrasies that make them fascinating and that's how I tend to approach a character.

Truly, you have a dizzying intellect.

When I work, I live in a fantasy world. It's great. I get to play different characters who inspire me.

New York has the best tap water.

The experience you have making the movie is all you have; when the movie's finished, that's for other people. But while you're doing it, that's your time on the planet, so you want it to be good.

I think as an actor you're lucky to have any film take on a life of its own long after it's left the theater.