He tried to reconstruct the story in his mind, but it kept getting confused, bleeding into itself like watercolors.

Death hath no dominion.

You were so near death that ghosts crowded around you, weeping silver tears, waiting for you with such smiles. You humans, you know, whoever built you sewed irony into your sinews.

I have tried to write stories that go into the underworld of myth and bring out life and fire — where the old world looked at a woman alone and immortal and said: she must long to die, I have tried to say: look at her live!

Everyone is a criminal! We are beset on all sides by antirevolutionary forces. Naturally, then, humans fall into three categories: the criminal, the not-yet-criminal, and the not-yet-caught.

Chyerti—that’s us, demons and devils, small and big—are compulsive. We obsess. It’s our nature. We turn on a track, around and around; we march in step; we act out the same tales, over and over, the same sets of motions, while time piles up like yarn under a wheel. We like patterns. They’re comforting. Sometimes little things change—a car instead of a house, a girl not named Yelena. But it’s no different, not really. Not ever.

But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.