Maybe someone's who's a different kind of writer [would think otherwise] - someone who'd be just as comfortable writing essays on what their novels are about. Sometimes you feel like certain novelists are like that.
Chang-Rae LeeObviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
Chang-Rae LeeFor if there is ever a moment when we are most vulnerable, itโs when weโre closest to the idea of the attained desire, and thus farthest from ourselves, which is when weโll tread through any flame.
Chang-Rae LeeWe have hopes and make plans, and if they are dashed or waylaid, we naturally rationalize and redraw the map to locate ourselves anew. Or else we brood and too firmly root. Very few can step forward again and again in what amounts to veritable leaps into the void, where there are no ready holds, where little is familiar, where you get constantly stuck in the thickets of your uncertainties and fears.
Chang-Rae LeeI really try to forget. I only look at my old works if there's an interview and someone asks me about it. Otherwise, it's not even in the rearview mirror.
Chang-Rae LeeAnd it occurred to me that in this new millennial life of instant and ubiquitous connection, you don't in fact communicate so much as leave messages for one another, these odd improvisational performances, often sorry bits and samplings of ourselves that can't help but seem out of context. And then when you do finally reach someone, everyone's so out of practice or too hopeful or else embittered that you wonder if it would be better not to attempt contact at all.
Chang-Rae Lee