I'm thankful for weird people out there 'cause they're some of the most creative people.

Someone who doesn't take herself too seriously and can be a goofball. Because everyone's a nerd inside, I don't care how cool you are.

I learned to appreciate repetition. That's why I can dance. It's how I learned to act. I have a high tolerance for repetition.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

Well, the first and only time I went hunting, I shot a deer, and it mortified me. I just couldn't do it again. But I know a lot about guns, so I go to the gun range and stuff like that with friends sometimes.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

The director sets the tone, and if someone's ruling it with an iron fist, people are quiet and the days go long in my experience, when there's a very serious tone, the days just drag. When there's someone who, in between takes, is joking or laughing the days go quick.