Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.

Power is always a corrupting influence. In this mythical time - let's call it medieval, feudal - people in power are dictatorial and don't want their positions of power to be threatened.

On an independent film you're lucky if you get one, but ostensibly the job is the same. There's very little difference, apart from the knowledge that there's a captive audience at the end of it - which you can't always guarantee with a movie.

If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.

People like Tywin Lannister are very much victims of that system, and of that environment: 'This is my place, don't threaten it'. I don't know how relevant that is to today. Politics is the most corrupt profession on earth, no matter where you are.

Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.

There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.