It took a while for me to be able to sit in a room of studios and financiers and say, "I'm not some hoity-toity actress looking for a vanity deal - I really know how to make a film!" In order to do that, you've got to break your f-cking back.

One thing can make many other things happen.

When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.

I have a problem with cabinets being messy and people just shoving things in and closing the door. I will lie in bed and not be able to sleep because I'll say to myself: 'I think I saw something in that cabinet that just shouldn't be there.'

I don't think you can create anything interesting from a comfort zone. You have to work from a place of fear and failure.

I always knew I would adopt. Always.

I think that luxury is to be used when you are in your jeans and your T-shirt and you want to feel a little extra special, and you want to go and walk into a store and have somebody go, "Wow, what is that?" Maybe that's the one and only thing you give yourself that day, but I think women like to give that to themselves.