I never take that for granted, but I'm always very aware that I'm one person and I can't wear everything.

I think writing a book with film in mind is a way to write a really bad books. You can usually tell those books that are packaged to become films.

When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.

I had these fangs because I had jaundice when I was a kid and I was put on so many antibiotics that my teeth rotted. They had to cut them out. So I never had milk teeth. That was tough, you know, being in school having photos taken while I was pretending I had teeth. It was hideous.

It [Hancock] happens to be a big budget film and big star like Will Smith, but it actually has a lot of weight to it. But it was very smart and very intelligent and had this kind of historical element to it that I was fascinated by. It's not silly. It's not stupid. It's fun, but I think it's smart. I think Akiva [Goldsman] writes really interesting material and there you have it.

I never take that for granted, but I'm always very aware that I'm one person and I can't wear everything.

I think there is a great quote - and I feel horrible that I don't know who said this - but it was a great quote, it says, "The only difference between all of us are the ones who are loved and the ones who are not."