In the story, I think as an actor you're just trying to fit into the world.

From the moment this baby came into our home, those two dogs have never been more in love. It's the most beautiful thing I've ever witnessed. People keep saying, 'Oh, you're a single mom.' I'm like, 'Actually, I'm not. I've got two boys helping.'

We just need to put our foot down. This is a good time for us to bring this to a place of fairness, and girls need to know that being a feminist is a good thing. It doesn't mean that you hate men. It means equal rights. If you're doing the same job, you should be compensated and treated in the same way.

I've always been very aware of balance and, even before I had a child, my life always takes priority to my work.

I think of myself as a highly sexual creature.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

I think actors who know their job know that's how you do it. You don't show up and make people miserable. That poor grip who's standing there, he just wants to feed his family. He doesn't need to hear about your psychosis on life and love and death.