Every time you enter a space, you are on public display. Nothing is private.

We are not only a civilization of amateur photographers; we are amateur curators, editors, and publishers.

I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

Your image is your currency in this world.

I think the twenty-first-century modality is exhibitionism. Exhibitionism is our contemporary strategy for maintaining our boundaries, which is to be boundary-less - to put everything out there before somebody comes and violates or penetrates something that we're keeping sacred.

There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.

Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.