In an era where digital or virtual is the default, the actual coming together into a physical space has to be an experience that you don't want to miss.

I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

In an era where digital or virtual is the default, the actual coming together into a physical space has to be an experience that you don't want to miss.

I think the twenty-first-century modality is exhibitionism. Exhibitionism is our contemporary strategy for maintaining our boundaries, which is to be boundary-less - to put everything out there before somebody comes and violates or penetrates something that we're keeping sacred.

Every time you enter a space, you are on public display. Nothing is private.

I have to admit to you, I am the person who's done probably the least analysis on the selfie, because it's a bit like pornography for me. It's this masturbatory, repetitive act that I'd rather wasn't part of my routine.

I love bells, clocks, watches - and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing.