I found it very difficult to explain to someone why you did a film. It's not like having a conversation.

I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.

It's more than a job. It's very personal, so when you're hurt, you're really hurt inside.

The problem with me in doing things simply is that I feel I'm not enough. It's all very embarrassing.

I don't feel I have to share everything.

You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.

I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward.