You don't even need the director's judgement. It's too much.

At the beginning it wasn't to do with the work, it was more the experience.

I don’t have tons of scripts where I don’t know what to choose and I’m trying to calculate. It’s either I read something and I have an impulse to do it, or in meeting someone, I want to work with them, but it’s always been very obvious.

In France, you're with the crew, and you have lunch with them. It's more like a family.

You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.

It was very liberating to be able to sing in English. It had a different resonance, different images. It was like being a stranger in a foreign land, which was helpful.

I didn't go to acting school, so it was great to be able to rehearse for a month or two, to workshop, and be with a director who even gave me acting exercises.