With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

Before I started touring, I worked with someone to help me, even physically, because I was so shy. And you can't be shy going onstage. So I had to push myself in a direction that wasn't myself.

I don't have a career plan. I've never done that. Things happen accidentally and I've been lucky.

With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

I still find it hard to push my own limits. I know where my limits are and that I always have to push myself.

I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive.

I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.