It's more than a job. It's very personal, so when you're hurt, you're really hurt inside.

It's difficult for me to write in English as it's not my first language, but French is even worse because of my father's influence and because the comparisons that I - not even other people - would make.

I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive.

I hated seeing myself on screen. I was full of complexes. I hated my face for a very, very long time.

Even moving around onstage seemed very artificial. But at the same time you have to make that effort in order to get back to who you are and even accept not moving, if that's who you are.

Maybe, in the back of my head, I'm thinking I have to do as much as I can. It'll stop.

You think that being a girl is degrading, but secretly, you'd love to know what it's like, wouldn't you?