It's nice that we have all these different films.

In France, you're with the crew, and you have lunch with them. It's more like a family.

I don't feel that I've accomplished anything. I feel that it'll be better when I won't care as much, but it's so difficult to let go and accept all the wrong notes.

I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.

Even moving around onstage seemed very artificial. But at the same time you have to make that effort in order to get back to who you are and even accept not moving, if that's who you are.

I wasn't getting the responses I hoped for. You can't protect yourself from other judgments.

I didn't want to change my personality onstage, but I still had to build some kind of ego to be able to go up there. If not, there's no point.