I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.

I think whatever comes natural is probably the truth, and the truth is the strongest form of anything - whether serious or funny.

I think you have to be careful about not hurting someone. The last thing I'd want to do is make a fool of someone, unless they saw the humor in it.

What makes all those women sexy? Were they just born sexy? I guess it's the way they act. I don't want to have to act sexy. I just want to be me, and if I don't happen to be sexy, oh well. That's OK. I don't want to force something I'm not.

Sometimes I feel really bad for the audience. I don't know how to make them happy. And you just feel drained cause you're trying everything possible to turn things around. And sometimes it is possible to turn things around on stage, and I've done it before, but sometimes it's impossible.

I think actions really do define how you feel, as opposed to just saying, "I care about you" or "I want to be with you."

Collaboration is just about finding people who are better than you at certain things and combining your powers. Like, if I'm not the strongest at playing piano, I'll work with someone who's really good at it and we'll combine both our brains to write a song.