At the beginning of my acting career, I worked for two seasons at the RSC and spent a lot of time in the Cotswolds exploring Shakespeare's countryside. It's my kind of English landscape, with its tiny villages and one-room thatched pubs.

I've been a single parent for a long time. It reminds me of being a waitress. As you walk back to the kitchen, requests come at you from all sides. You're doing the job of two - you have to be highly organised.

I ski every three years or so. I don't have the ingrained confidence that others do, but I'll happily toddle about a green or blue run.

War is good for absolutely nothing, because no matter how far and wide apart we may live, we're all the same under the skin. We all want to live, laugh and love.

The advantage of age is that you swap youth for wisdom. You're so full of insecurities when you're young. 'Who am I? What do I have to do for people to like me?' You get caught up in things. You get very emotional about things.

There's something about 'Strictly Come Dancing.' Everywhere I go, people wish me good luck; cabbies toot their horns. It's lovely. I have a theory: in straitened times, there's nothing like a bit of unapologetic escapism.

I really enjoyed staying at an encampment at the top of a hill in the Samburu Reserve in Kenya. You reach it on a small plane; there is no electricity, no city noises and you sleep and shower under the Milky Way, with moths fluttering around a kerosene lamp, knowing that there are elephants and lions roaming free in the valley.