I'm not really much of a prankster, but I've definitely been pranked. I never really liked being pranked, so I generally try not to prank people.

When you're working on a record, I find it's better not to share details during that process. Because, until it's done, it can change.

I remember being like, 12 years old, and this was in the days before cell phones, or at least, having a cell phone. Some girls, I can't even remember who they said they were, called and said they had a crush on me. But it turned out to be a prank, and I thought that was just straight up nasty, you know what I'm saying? You're just sort of developing. You're insecure, your bones are growing... you have trouble sleeping. And all of a sudden, someone's pranking you on top of that? It's tough growing up.

It was very controversial actually, because basically, Lion In The Grass was also a course that you were receiving college credit for. So it was like he was taking a class, but then the class which also has a teacher and everything, was competing with bands that weren't in classes.

I've been getting really into mixing, and there's kinda like an art to it I think. I feel like I still have a lot of ways to grow. But you can just watch the way that other people blend songs together, and it can be a pretty mind-blowing thing. And you can hear music in a very different way, depending on the way a DJ presents it.

When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.

Maybe it's just a humanising thing to realise that a ton of people in bands that make really exciting music, are just big nerds. And you know, maybe the Internet's done a lot in just exposing that long-held secret.