I'm lucky to just be a working actor. There are so many great actors out there and I'm just lucky to have gotten work.

If you're playing your character and you're running into all these people who know who you are and treat you in a way that doesn't pertain at all to the character, it takes you out of it more, so when you're alone in a city where people don't know you, you can kind of pretend even more and get into the head space of where you need to be.

I would love to close my eyes and see myself with my girlfriend when we're 99 years old and I have a pipe and she's knitting a sweater, and I hope that's the way it goes. I think it's a challenge every day.

My wife Jennifer Todd, who's a producer. She runs Matt Damon and Ben Affleck's company, and she produced Memento, and Boiler Room, and Prime, and Across the Universe... and Alice in Wonderland... She's really smart, and very helpful. That was nice, because I was super neurotic and worried.

I was shooting on The Mindy Project while I was editing Alex of Venice, which was the stupidest thing I could've done. It was like having two full-time jobs. But in editing some characters were dropped, some storylines were dropped. It just starts dictating what it's supposed to be.It's scary, but fun to try to be brave and to "kill your darlings." To get rid of the stuff that you were like, "Oh, I'll never get rid of that. I love that. As long of a take as it is, I'm gonna keep that in."

I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played.

Woody Allen, when we did Vicky Cristina Barcelona, said to Rebecca Hall, "Do it one time happy, one time sad, and one time indifferent, as I won't know where you should be until I'm editing this, in terms of your emotions."