Well, it's always strange to kiss someone with 10, 20, 40 people around.

Look at what your idea of success would be. The more that you take in external motivators, the more it reduces your ultimate satisfaction because it doesn't come from inside.

If you're playing your character and you're running into all these people who know who you are and treat you in a way that doesn't pertain at all to the character, it takes you out of it more, so when you're alone in a city where people don't know you, you can kind of pretend even more and get into the head space of where you need to be.

There's been a lot of times that I thought I'd never work again; I was really bummed out.

Yeah, I think everybody has the crises of questioning themselves at some point or other in their lives. Is this where I should live? The job I should have? The girl I should be dating? Is this the friend I should have?

When you do a play, you do it for a couple months, and it just gets in your bones. You can learn about somebody that way.

I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played.