If you cry too much on screen, you're crying for the audience.

The rain probably dampened the spirits of those that decided not to come. But the people who were here didn't know it was raining because they were having so much fun.

I've spent so much of my youth trying to change people or change girls and then having it done to me and people wanting me to change.

I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played.

There's been a lot of times that I thought I'd never work again; I was really bummed out.

I was shooting on The Mindy Project while I was editing Alex of Venice, which was the stupidest thing I could've done. It was like having two full-time jobs. But in editing some characters were dropped, some storylines were dropped. It just starts dictating what it's supposed to be.It's scary, but fun to try to be brave and to "kill your darlings." To get rid of the stuff that you were like, "Oh, I'll never get rid of that. I love that. As long of a take as it is, I'm gonna keep that in."

You live through the play at 8 o'clock, straight through, and nobody can call "Cut!" But also with the stage you're getting instant reactions. You hear people snoring in the audience, and bored to tears, or sometimes you hear the laughter, and you can hear them listening.