Film is cool because it's an hour and a half to two hours. It's a great ride. It's typically three acts - beginning, middle and end. It's going on an adventure and by the end it's all cleaned up.

The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.

Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the Parks and Recreation characters.

I just feel like, if I drink, I want to drink a case of beer and not two beers. Two beers doesn't do anything for me.

Television is such an evolving medium.

I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.

Just be yourself and forget all of the stuff you read in 'GQ' magazine.