I am a Christian because of that moment on the cross when Jesus, drinking the very dregs of human bitterness, cries out, My God, my God, why hast thou forsaken me? (I know, I know: he was quoting the Psalms, and who quotes a poem when being tortured? The words arenโt the point. The point is he felt human destitution to its absolute degree; the point is that God is with us, not beyond us, in suffering.)
Christian WimanIt is easy enough to write and talk about God while remaining comfortable within the contemporary intellectual climate. Even people who would call themselves unbelievers often use the word gesturally, as a ready-made synonym for mystery. But if nature abhors a vacuum, Christ abhors a vagueness. If God is love, Christ is love for this one person, this one place, this one time-bound and time-ravaged self.
Christian WimanMandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound.
Christian WimanAt some point you have to believe that the inadequacies of the words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent.
Christian WimanThere are dangers for an artist in any academic environment. Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.
Christian WimanPoetry has its uses for despair. It can carve a shape in which a pain can seem to be; it can give oneโs loss a form and dimension so that it might be loss and not simply a hopeless haunting. It can do these things for one person, or it can do them for an entire culture. But poetry is for psychological, spiritual, or emotional pain. For physical pain it is, like everything but drugs, useless.
Christian Wiman