The biggest names in the Transcendentalist literary circle visited the community regularly, and supported it, but they couldn't live there happily. Hawthorne [who was briefly a resident] left for reasons I'm sure make sense to you; he couldn't get enough writing done in a house full of people playing music, and arguing. It was too busy.
Christine JenningsThey [Oneida people] didn't want to fix problems one at a time. If someone invited them to a feminist convention, their answer would have been, 'In the new world women will have total equality, so lets spend our energy creating that whole new world.' And to their credit, the women at Oneida probably had far greater practical equality than what any of the women gathered at Seneca Falls experienced in their lifetimes.
Christine JenningsThe secular utopians basically said the exact same thing, they just took the Bible out of the equation. The religious and the secular groups recognized each other as fellow travellers. They exchanged newsletters and asked each other questions like, "What's a good soup pot to use if you're making dinner for 800 people?" They had these practical connections.
Christine JenningsThese weren't college kids on acid. They were preachers, and bankers, and farmers, and the salt of American society subscribing to ideas that now seem so wild to us. These people had the most radical visions of what the future could be. And this was happening in an era we don't typically associate with sexual experimentation, or communism, or things like that.
Christine JenningsThe vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.
Christine JenningsThe biggest names in the Transcendentalist literary circle visited the community regularly, and supported it, but they couldn't live there happily. Hawthorne [who was briefly a resident] left for reasons I'm sure make sense to you; he couldn't get enough writing done in a house full of people playing music, and arguing. It was too busy.
Christine Jenningsdon't think I should be in the business of making big pronouncements about where we are now, but I would say that dissatisfaction is as acute now as it was then. What's different, and what I think we can learn from these people, despite their abundant folly, is that we're not using the future as the organizing principle for our critique.
Christine Jennings