But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.

Sometimes awful things have their own beauty.

I certainly should have,' he agrees, smiling and thinking what an absurd and universally-accepted bit of nonsense it is, that your best friends must necessarily be the ones who best understand you. As if there weren't far too much understanding in the world already; above all, that understanding between lovers, celebrated in song and story, which is actually such torture that no two of them can bear it without frequent separations or fights.

But now isn’t simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until — later of sooner — perhaps — no, not perhaps — quite certainly: it will come.

I'll bet Shakespeare compromised himself a lot; anybody who's in the entertainment industry does to some extent.

Every writer has certain subjects that they write about again and again, and . . . most people's books are just variations on certain themes.

For a few minutes, maybe, life lingers in the tissues of some outlying regions of the body. Then, one by one, the lights go out and there is total blackness. And ifsome part of the non—entity we called George has indeed been absent at this moment of terminal shock, away out there on the deep water, then it will return to find itself homeless.