This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.

I do believe in the Kinsey scale, I think many of us fall in different places on the scale and I think it's for each one of us to decide where we are on the scale, it's not for someone else to decide for us.

I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.

This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.

Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.

Ultimately, I felt fortunate, because in many ways I did identify with aspects of being gay that were very stereotypical. I was a big theatre kid in high school, I was creative, I was very emotionally sensitive, even hypersensitive. I loved female divas.

I had seen the gay social chronicle done abundantly and done very well. And I didn't want to do any more of that myself, I wanted us to be included in the popular mainstream of entertainment fiction.