In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.

Someone like Jay-Z does have a timeless quality, but it's much different than ours. You can look back at something like "At the Hop" by Danny and the Juniors or the music that was on American Bandstand in the 1950s-'60s.

The best way to boycott is to build your own

I think that revolution means change. And if somebody feels like there's nothing wrong, everything's great even when it ain't, why would they ask for a revolution? Just stick the tubes into me and just pump away.

I tell each artist they have to grow toward a revenue stream.

A visit to the hood through a record, or through a video, or through a film, is a lot safer than actually visiting the people in real life. It became a business model. It became a revenue engine that, you know, you can get to the hood without ever going there.

Truth is truth no matter what I think.