The problem a lot of writers have is that they really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.
Chuck KlostermanI was a teenager in the '80s - and maybe I'm wrong about this - but it seemed like a bad era for movies that were scary. It was really the height of movies that were disgusting.
Chuck KlostermanBut it goes without saying that Michael Jordan could never date Pamela Anderson. That would cause the apocalypse.
Chuck KlostermanWhat's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. It's really hard to do a literary reproduction of what makes you happy. That's what I try to do. If nothing else, it seems like there's enough people out there telling the world what isn't cool, or what's terrible, or what's depressing. I think there's an element of cynicism in my writing, but I'm an optimistic cynic.
Chuck KlostermanColdplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
Chuck Klosterman