I know that when a supersexy older girl with hips and breasts and nice hair wants to take off your glasses and to paint you a smoky eye she's merely trying to enroll you in a beauty contest she's already won. It's a kind of slummy, condescending gesture, like when rich people ask poor people where they summer. To me, this smacks of a blatant, insensitive "let them eat cake" type of chauvinism.

With my eyes closed, I ask if she knows how this will all turn out. "Long-term or short-term?" she asks. Both. "Long-term," she says, "we're all going to die. Then our bodies will rot. No surprise there. Short-term, we're going to live happily ever after." Really? "Really," she says. "So don't sweat it.

Just let your hand drop; and let fate decide for you.

Why should I believe any of this?' It happens that fast. I say, because I think I like you. Marla says, 'Not love?' This is a cheesy enough moment, I say. Don't push it.

I used rebellion as a way to hide out. We use criticism as a fake participation.

I used to work in a funeral home to feel good about myself, just the fact that I was breathing.

What you write should entertain you and serve you first. Don't worry about maintaining anything beyond your own attention. Focus on exorcising your demons in the work. If you can do that, then you'll succeed in the world.