Some people come up to be directors by coming through the camera department and there's not a lot of women in the camera department. The ones that are have to kind of prove they're one of the boys, I think. I don't want to get into trouble with generalisations but I think it's a fair observation.

The great thing about dealing with people about whom we have historical resources, is that if the writing needs work, there's everywhere to go to enrich it.

Just driving I just was in a car on flat ground and I couldn't make it go. Having ticked driving and taken three driving lessons, I just was unable to produce any motion whatsoever under perfectly normal circumstances. I think we've all been busted on driving, and riding.

But this is where you get all the market research and things get in danger of becoming formulaic, and where you depend on brands and getting recognised actors. It's the thing that precludes risk very often, otherwise everyone would be avant-garde all over the place.

Sometimes to think about why some institutions are stable, it's interesting to go one generation back and look at the author of that stability.

Doing a job, or even watching a film, can make a difference to your life, but I don't think it ever has an explosive impact where your life will never be the same again. It kind of seeps into your life, and perhaps realise you're a little more vigilant about certain things than you might have been.

The Hollywood Foreign Press have just given me a time out from my 20-year midlife crisis. My heartfelt thanks to them.