I don't think it's aiming at gags, I think the humour is woven into it. It's part of how the characters operate and how they deal with disaster because they're worldly enough to have a bit of irony and wryness about their own circumstances. So, I think the humour comes out of that.

My singing voice is somewhere between a drunken apology and a plumbing problem.

My parents and grandparents have always been engaged in teaching or the medical profession or the priesthood, so I've sort of grown up with a sense of complicity in the lives of other people, so there's no virtue in that; it's the way one is raised.

My looks aren't something that come dazzlingly through in everything I do. I can be made to look one way or the other fairly easily... I am still not recognised on the street that much.

I feel more comfortable in drama. Comedy's is a high-wire act. I find it stressful. It's a precision science, in a way. And when you're filming, the thing comedy depends on becomes a much more difficult commodity. The thing you depend on is spontaneity.

It's a very dangerous state. You are inclined to recklessness and kind of tune out the rest of your life and everything that's been important to you. It's actually not all that pleasurable. I don't know who the hell wants to get in a situation where you can't bear an hour without somebody's company.

It used to be that I was always paranoid or a loser or something so there's usually something that you seem to associate yourself with at one time or another.