I have a kind of neutrality, physically, which has helped me. I have a face that can be made to look a lot better - or a lot worse.

Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.

I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.

It was mainly to do with Helen Hunt, to be honest. That's what drew my attention to it. I was interested in the fact that she was going to be directing. I'd never met her but she projects a degree of intelligence and it was convincing t me that she'd be able to handle this sort of material very well.

I think everyone is throwing happy stuff at you, and that's when you come over all humbug. It's happy stuff in your face, happy stuff is being sold to you.

To work effectively in a film, you have to repeat and work consistently. Basically, you shoot a big master then you do close-ups. You're supposed to be in the same moment, the same 30-second moment, for a day.

My singing voice is somewhere between a drunken apology and a plumbing problem.