The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.

When I'm really into a novel, I'm seeing the world differently during that time— not just for the hour or so in the day when I get to read. I'm actually walking around in a haze, spellbound by the book and looking at everything through a different prism.

They said: "Make it in this amount of time and go for it now..." Which is why I was suddenly ambushed and we all found ourselves doing it. I suspect this wasn't quite recognisable in its genre to give people the confidence just to throw money at it.

I have a kind of neutrality, physically, which has helped me. I have a face that can be made to look a lot better - or a lot worse.

The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.

I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.

I think everyone is throwing happy stuff at you, and that's when you come over all humbug. It's happy stuff in your face, happy stuff is being sold to you.