You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.

With films, you completely immerse yourself in a character, get into who they are, live it and then release it.

What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

I'm a silly guy, I love wit and cynicism and sarcasm.

As we speak, that is what we are doing. Projects that come to you are not written for you. We have to take a lesson from Will Smith, who develops projects he can shine in. We're trying to develop things from the ground up.

You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.

I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.