I'm a silly guy, I love wit and cynicism and sarcasm.

I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.

I don't want to do action that doesn't mean anything. Everything I do I want to have character development and three-dimensional characters, fallible humans, and this is definitely one of them.

The point of acting is to hide yourself and get lost in character. To play the same character in eighteen movies would be defeating the purpose I believe so I try to keep a little bit of diversity.

I've learned that I can't do it all at once. So, you have to figure out your angle of attack. Coming in on the acting front, acting is a passion of mine. It's a true love. Dancing, I kind of just fell into. Choreographing, the same thing. But making films, producing and directing, that's the heartbeat of my existence.

What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.