I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.

[Show] business is tough. You never know who or what's real. It's tough when you get in this business, if you have no grounded foundation other than Hollywood, because this business isn't real. We're getting paid to do what we love, but it isn't real.

You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.

With films, you completely immerse yourself in a character, get into who they are, live it and then release it.

I was struggling with drugs, I had a lot on my plate, and you know, I was using unhealthy ways to kind of self-medicate and deal with a lot of heavy duty stuff in my life.

I'm a silly guy, I love wit and cynicism and sarcasm.

I don't want to do action that doesn't mean anything. Everything I do I want to have character development and three-dimensional characters, fallible humans, and this is definitely one of them.