As much as I love Slipknot, I don't want that to carry over into what I do for Stone Sour. I want both bands to stand on their own.

When I'm working on a Slipknot song, it's like a switch flips in my head. I can go there easily - it doesn't take a lot of soul searching - and it's a dark, almost sinister place. Stone Sour is more the way I've always written. It's a different tone.

Mistakes you can learn from; sins stay with you forever.

The weird thing about metal fans is we're all so maladjusted in a lot of ways. We're individualistic and opinionated and severe in our personalities - sometimes we really turn each other off. A little bit of a metal fan goes a long way.

I've got to be honest, and I'm not just saying this because the majority of you reading this live there, but I love the United Kingdom. I just flat-out love it.

When you're a kid, nine times out of 10, everthing is pure depending on how you grow up. Everything is new as a kid, so it's all amazing and wonderful. But as we get older, things start to lose their luster or possibly their relevance. Things don't mean as much as they did then. I know the feeling.

I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.