I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

Twitter. Honestly, that's all I really have to say to explain insanity.

Bad things happen when good people pretend nothing is wrong.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

Too many people chase dreams that they don't understand. Too many people try to go for things that they'd like to do, but they're not realistic enough to know they don't have the talent.

I love the fact that people can relate to what I'm saying, even if it's not for the same subject I was writing about. That is the power of real music and real expression.