I want karma to drive stakes into the dark hearts that keep me bitter.

It was always a thrill for me, getting out of the cocoon and wandering. I'd let the wind wrap around me like fire and slip into the unknown with a moment's hesitation.

But I always kind of knew in the back of my head that I could come back and do Stone Sour.

Emo is pathetic. It's a tired attempt at making bad music cool, all while rocking dumb haircuts and unisexual belts. Furthermore, adding the suffix '-core' to a description doesn't make it innovative. It makes you look like a tool with no imagination.

I mean come on. Do you know how easy it is to be famous these days? Do you have any idea? The web has made it plausible to have your very own platform to stand and spew nonsense from on an hourly basis. There's an old saying: when everyone is special, no one will be. These days, everybody thinks they're special, so no one really does anything to be special anymore.

I'm a Gibson guy. I play anything from Hummingbirds to J200s.

You need response from the fan to fuel your sense of musical rebellion. It's very symbiotic, it's very cyclic in a way. You can't have one without the other. So I think the rebellion is reflected in the audience, but at the same time, the artist has to have that passion too. And I think once you're a fan for life, you feed each other's sense of passion and rage and whatnot. You really can't have one without the other.