Many years ago making movies was something. It was the major entertainment just to go to the cinema, once, twice a week. At the time, something like 400 million people went to the movies.

I initially studied literature [in France], and then I went to cinema school. I discovered the Cinematheque, and saw not only action movies and westerns, but also lots of serious movies.

Make the movies you want to make in Europe is much easier. Of course, you don't have all the money you need, and if you go over budget, then you have to find the money, or you sell your house or something. But you have much more freedom.

You know every time you change a decade, it's a problem, because you approach the end little by little. But my decision is to keep going. The problem is always to know when the head doesn't work well. Someone has to tell you. I hope my children will tell me.

People say "the Americans" or "the United States," as if it was a kind of bloc. It's not. There's a lot of people thinking differently from other people in the U.S. This is very interesting to me and very important.

In the U.S., some extraordinary movies have been made on politics and social issues. We learned lots of things from American cinema. But in the last ten or fifteen years, this has changed drastically. Today, that kind of movie is much easier to make in Europe.

I saw money becoming more and more important everywhere. It's one of the most abstract and important inventions by human beings. At the same time, money is capable of extraordinary corruption in every kind of relationship. I tried to see how and why, more and more, money is becoming a religion.