In the U.S., some extraordinary movies have been made on politics and social issues. We learned lots of things from American cinema. But in the last ten or fifteen years, this has changed drastically. Today, that kind of movie is much easier to make in Europe.

I decided to go to the cinema school because I thought it was a new sort of media. Nowadays, it's not anymore, but in the '50s, cinema had a half century of age. Today it's more than one century. I thought it was a new media, a new way of telling stories.

The assistants in France are not like they are in the States. Assistants are much more close to the film directors, and they used to have a kind of very artistic task. They used to do the casting, scouting, and so forth.

Aggressive capitalism leads the world, and we can see the results, especially in Europe: more poverty for the vast majority, and more riches for a few.

Essentially, filmmakers have to be free and not directed by power or politicians.

Every morning you have the economic news from all over the world, from television, radio, the Internet, and an hour later the news changes and the numbers change. People run fast from one place to another, which is very risky because they don't have enough time to think.

The American influence is not so aggressive anymore. The American big business influence in Latin America is not as strong, so people can vote and they can have a different life than before. They can have more liberal, more interesting, and more democratic governments.