There are nights when I think that Sal Paradise was right / Boys and Girls in America / Have such a sad time together.

The Catholic influence just comes from being raised Catholic, going to church every Sunday, being confirmed, going to church on holy days. So it's coming from where I am. It serves the purpose of having people who have a base or foundation where they know what's right.

There's a lot of ways to be honest that don't necessarily involve absolute facts being true. I think that's something I absolutely try to do.

Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.

Just looking into something kind of analytically can give a lot of ideas.

Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.

It's really easy, in a band, to overstate - you feel like everything you do is different than the past. I think this is just another Hold Steady record, but at the same time, there is some evolution. Like, "How can we make this chorus bigger?" "What do we want this to sound like?"