I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.

In terms of sexual orientation I don't really feel I've changed ... I'd been with men all my life, and I'd never fallen in love with a woman. But when I did, it didn't seem so strange. I'm just a woman in love with another woman.

I don't have Steve. There is no having the Steve.

When Nancy Reagan was presented with people who she really felt like weren't going to judge her, there was such a floodgate of affection and warmth and physical affection that, most of the time, was kept at bay because, "Oh, someone's going to say something." I think that because of so many things that happened to her in her childhood, but also in the press.

It was weird to be in a movie that's very clearly a period piece like Killing Reagan, but that's about a time that's within my own memory. That's really weird. And conscious memory, not just vague.

I am always looking for a great play and a great part to do.

I feel like when I really did my research, I both came to hate Nancy Reagan more.