Women who write with an overriding consciousness that they write as women are engaged not in aspiration toward writing, but chiefly in a politics of sex.

One reason writers write is out of revenge. Life hurts; certain ideas and experiences hurt; one wants to clarify, to set out illuminations, to replay the old bad scenes and get the Treppenworte said -- the words one didn't have the strength or ripeness to say when those words were necessary for one's dignity or survival.

The trouble with happiness is that it never notices itself.

In the compact between novelist and reader, the novelist promises to lie, and the reader promises to allow it.

Invention despoils observations, insinuation invalidates memory. A stewpot of bad habits, all of it - so that imaginative writers wind up, by and large, a shifty crew, sunk in distortion, misrepresentation, illusion, imposture, fakery.

A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?

Traveling is seeing; it is the implicit that we travel by.