I make no distinction between writing and storytelling; I've always wanted to tell stories.

Hire people you get along with, and then let them do what they do best.

Ultimately, I just felt like Twitter brought out the worst in me. It made me super defensive when I was attacked, because you're under a constant state of attack. No one should be able to check their @ mentions, because Twitter is the equivalent of "Hey, those three people over there that are whispering... They're whispering about you! Do you want to know what they're saying?"

When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.

The fundamental law of nature is to not know too much about yourself.

I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.

But I do think that, when you slow the conveyor belt down, the quality control tends to go up. You have a lot more time between seasons to talk about what worked and what didn't work, and plan for the future. And the pacing of the storytelling, particularly for on-going serialized dramas, means that you don't need to do non-essential episodes, just because you have to fill this pre-existing schedule.