For us, there's an inherent process when you're ending something to be thinking about the beginning, as writers.

I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.

I've always been really interested in the future, and I feel like all of the movies that I've been exposed to, over the course of the last 20 to 30 years, have shown me a future that I don't really want to be living in.

Once you spend more than $100 million on a movie, you have to save the world.

The fun thing about doing origin stories is you are introducing the audience to characters.

I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.

Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.