It's television. The reality of it is, if you go on the boards and people are saying, "I saw that coming," or "This is lame," or "I can't believe they're doing this again..." Having been one of those people myself, I know better, and try to avoid it.

Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.

Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.

I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.

I love finding new creative partnerships but then continuing the partnerships I'm already in.

I'm a huge Star Trek fan. I've seen all the shows, I've seen all the movies, but ultimately I just want a 2-hour movie that takes me to another time and place - something that entertains me.

I place a higher value on work ethic than talent, because, in certain areas, you just need to cast, you need to cast actors with talent, you need to hire directors with talent, but I've worked with very talented people who have a poor work ethic, and the outcome is less desirable than people who are less talented and have an incredible work ethic.