Connecting dots is not that rewarding of an experience.

Hire people you get along with, and then let them do what they do best.

I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.

I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.

I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.

Everything I've ever been a fan of, whether it's Star Wars or the New York Jets, I've also been very hard on at times. It's sort of like, I go to a Jets game, I want them to win, but the minute they fumble the ball, I go, "I f**king knew it! F**king Jets!" That's part of loving something. As long as you love it, you have carte blanche to critique it as well, of course. That's part of being a fan of anything.

I don't think anybody wants to see a dour Star Trek movie.