You can't just come out and do the same moves that you always do because someone just basically came into the center of the ring and spun around on their head and did a back flip.

For us, there's an inherent process when you're ending something to be thinking about the beginning, as writers.

Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.

You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.

I place a higher value on work ethic than talent, because, in certain areas, you just need to cast, you need to cast actors with talent, you need to hire directors with talent, but I've worked with very talented people who have a poor work ethic, and the outcome is less desirable than people who are less talented and have an incredible work ethic.

Finding meaning in the relationships that we have with one another - that's the only way to achieve any kind of fundamental true grace and that points to where it all ends up. It's let's stop being away some place, let's be here. It's, let's be in this.

One of the things I've learned is there's no lesson to be learned. You have to resign yourself to the fact that mistakes are going to be made at any time in the creative process.