I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face.
Dan DeaconI think living in Baltimore and being a part of the community and trying to be part of as many communities as possible within the city, the best thing that anyone can do in Baltimore is just to be a part of it and contribute to it and to not see it as...A lot of people from outside the city see this city for its blight and I feel like people who live within the city do the opposite and see this city for what defines it as, in my mind, the most beautiful place to live.
Dan DeaconI do subscribe to the 2012 theory, but regardless of the date, it's hard not to notice that humans are polluting the earth with humans, that soon it'll be difficult to get water to people and find land to grow food on. The infrastructures that hold up cities are going to be harder to maintain, and the resources that make it possible are going to be harder to find. I'm not even talking about oil; I'm talking about, like, steel.
Dan DeaconGoing back to the paradigm we live in, the only way to do music is if I can sustain living off of it. If I can't live off of it, I'm not going to be able to make as much music.
Dan DeaconI think the hardest part is figuring out what to say no to because the whole start of your career is just begging anybody to let you perform or to contribute music to something. Then it's like turning on a faucet because the moment it's on, people are like, "Oh, you can do stuff? All right. Well, you want to do it every single thing?
Dan Deacon